The work of Irish-born/America residing artist Karl Mullen is an anecdote to despair, threats to democracy, and the bullshit cluttering our lives.
It’s no coincidence that the art we love at Postindustrial often shares common themes: concerns about democracy, encroaching tyranny, and mindless consumerism.
Which is why we’re drawn to the work of Karl Mullen, whose raw imagery and “hands-on” approach to painting shakes up and reorients those of us (i.e . practically everyone) subsumed by corporate messaging, bad news, and a growing sense of dread.
Karl has developed his own non-traditional approach to art making, often utilizing found and repurposed materials. Painting largely with his hands, he creates distinctive, poetic figures that float on fields of color. And the imagery in his paintings is born out of Irish mythology, family and dreams.
acrylic and flashé on cardboard
56 x 44 inches
“We are all bombarded nonstop with bad news, insufferable political jockeying, advertisements for things we do not need, and the inhuman acceleration of daily life,” says Mullen.
“And so I paint, mark, make, and create images, not only as a refuge but a bulwark against an avalanche of lies and despair.”
A new show of his work, aptly titled, A Clairon Call, begins Jan. 11 at the Zynka Gallery in the Pittsburgh area.
“His works are A Clarion Call to the self — for all of us — to hold on to hope and a dream of a return to decency, democracy, community, and love,” says gallery owner Jeffrey Jarzynka.
A Clarion Call opens at the Zynka Gallery Jan. 11 with a reception from 5-8 p.m. All are welcome.
